A digital rights organization has claimed to have scraped a vast number of songs from Spotify and is preparing to release them online.
Observers noted the seeming leak could aid artificial intelligence firms searching for material to develop their models.
A group called Anna’s Archive said it had scraped 86 million music files from the platform and 256 million entries of associated data such as artist and album names. The company, which carries more than 100 million tracks, stated that the leak did not represent its full inventory.
“We have located and deactivated the malicious user accounts that were involved in unlawful scraping,” said a company spokesperson.
The Swedish service, which has more than 700 million subscribers worldwide, added that an inquiry into unauthorized access found a third party scraped public metadata and used questionable methods to circumvent DRM protections.
Spotify does not think the music taken by Anna’s Archive has been made public yet. Anna’s Archive, which is known for providing links to copyright-infringing books, said in a blog it wanted to create a ‘historical repository’ for music.
They claimed the music files represented 99.6% of all music streamed to by Spotify users and would be shared via ‘peer-to-peer networks’, a means of exchanging large digital files online.
“Of course the service doesn’t have all the music in the world, but it’s a fantastic start,” said Anna’s Archive, which describes its purpose as “safeguarding humanity’s knowledge and culture”.
A composer and campaigner for defending artists’ copyright, said the leaked music would probably be used for training artificial intelligence systems.
“Training on illegally sourced material is sadly common in the tech sector, so this accessed music is almost certain to be used instructing AI models,” he stated.
The Anna’s Archive site makes references to LibGen, a vast online repository of copyrighted books that has reportedly been used by Meta to develop its systems.
The co-founder of an artificial intelligence company wrote on the professional network that members of the public could in theory “build their own private free equivalent of the service”. The executive added it could also enable technology firms to “train on modern music at scale”.
Intellectual property law has emerged as a key issue between artists, authors and content creators on one side and tech giants on the other.
In the UK, artists and writers have protested against a government proposal to let AI companies utilize protected work without permission unless the rights holder signals. Almost every participant to a government call for evidence on the idea has backed artists’ apprehensions.
The secretary of state for technology, research and technology informed parliament this month there was “little consensus” on the matter, adding that ministers would “take the time to get this correct”. The government has pledged to make regulatory plans on AI and copyright by next year.
Liam is a seasoned sports analyst with over a decade of experience in odds modeling and betting strategy.